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T454 Week 8 - Spring 2006 Agenda:
Announcements/Observations Both the IDEAS Festival & MultiVisions are currently accepting applications. There is no entry fee so you should enter some work! Don't forget to do the Sitter Readings: 7, 8 & 9 for this week, 4, 5 & 6 for next week. (See syllabus for more details) FCP Refresher - It is assumed that students are skilled with capturing footage, importing clips and images, basic editing, using effects, and exporting clips. In-Class Exercise: Edit a short project in FCP. Make sure that it:
Output a small (320 x 240) movie using the animation codec and uncompressed audio. Call it fcp_practice. Place it in your T454-Krause/week8/"your_name_folder" Outputting from FCP We will be using FCP frequently and exporting a number of different audio and video files. It's important that you understand how to export your project into various codecs and file formats. In FCP the easiest way to export elements from your timeline is to use File -> Export -> Using QuickTime Conversion. Still Frame Export / Resize Exercise:
Thursday-------------- Important note: The QuickTime encoder used in previous versions of DVDSP has been replaced with Compressor. While all of the information pertaining to MPEG compression is valid, please note that we will be using Compressor to encode MPEG, not QuickTime Pro. MPEG - (Moving Picture Experts Group) uses interframe compression and can store audio, video, and data. The MPEG standard was originally divided into four different types, MPEG-1 through MPEG-4. MPEG-1 produces medium quality video and audio streams at low data rates, which can be used for CD-ROM playback. You can use MPEG-1 in DVD Studio Pro - But why would you? The max resolution is 352 x 240 pixels. It could be good for archiving lots of low res video. MPEG-2 is capable of high data rate and can support full broadcast quality files. MPEG-2 is the standard format for DVD-Video and many satellite dish systems. Standard MPEG-2 is full frame rate (25 - 30 fps) and full screen resolution (720x480 for NTSC, 720 x 576 for PAL). Unlike M-JPEG which uses intraframe compression, MPEG uses interframe compression. It compresses temporally (over time) as well as spatially. It does this by dividing the video image into blocks of pixels called macroblocks. Because MPEG doesn't work with individual frames, is uses segments called GOPs or Groups of Pictures. In a GOP there are three types of frames:
Apple's default MPEG-2 exporter creates GOPs with 15 pictures. A closed GOP contains one I-frame followed by predicted frames and bi-directional predicted frames. An open GOP begins with B-frame and ends in a P-frame. (See illustrations on page 57 & 58) Tips for better compression:
Encoding MPEG-2 files for DVDSP DVDSP lets users import Quicktime movies before they are encoded to MPEG-2 video. However it's best to encode your files before importing into DVDSP. This way you won't be relying on background processing and you can clearly specify your encoding options, such as bit rate and whether you want VBR or CBR encoding. Bit Rates Before encoding, think about your maximum bit rate and create a bit budget. Bit rate is the amount of digital data (bits) that can be processed.
Bit Budget- Determine what requirements your video and audio have. Surround sound uses a considerably higher bit rate than stereo. You can export three types of streams: CBR - Constant bit rate encoding. (one pass) The data rate never changes regardless of the video signal. As a result the quality can suffer. (fastest encoding option) VBR - Variable bit rate encoding. (one pass) The picture quality remains constant but the bit rate varies. (This is better than CBR, but takes longer) VBR - Variable bit rate encoding. (two pass) The video is examined on the first pass to calculate the desired compression. Again, the picture quality remains constant but the bit rate varies. (This is the best and most time-consuming option) For VBR try setting a target of 4 Mbps and a maximum of 7 Motion Estimation The Good, Better, Best motion estimation settings affect how the encoder decides how to move a block of pixels. If there is not much movement in the video don't set it good or better is fine. Dynamic, fast-moving video will benefit from the Best setting, but it will take much longer to encode. Using Compressor (Sitter Chapter 5) Installing DVD Studio Pro will also install Compressor, which is a multi-purpose transcoding tool that allows batch processing. Quick tour of compressor
Be sure to check out the on-line manual that comes with Compressor. (You might want to save it to your portable firewire drive to peruse later.) Using Compressor There are many ways to use Compressor. Here are three useful ways:
Exporting from FCP: First render your timeline. Set an in and out point. Use Export - send to Compressor. Your job should appear in the batch window of Compressor. In-class Compressor exercise: In this exercise, you will encode the video you created in FCP, encode it and make observations as to the quality and length of time it took to encode.
Elements of a DVD
DVD Studio Pro 4 Quick Tour Start DVDSP Choose a configuration To choose another configuration press F1 (basic) F2 (extended) F3 (advanced) Inspector (Option - Apple - I) toggle it on and off Context-sensitive window Palette - Allows quick access to the files on your computer. Media in the palette is not in your project until you drag them into DVDSP. Outline View - displays elements of your DVD. Clicking once and selecting an item will let you modify it with the Inspector. Double-clicking an element will bring up the appropriate editor. Workspace - You can slide the tabes around, resize windows, and further customize your workspace. If you like a particular workspace you can save it as a custom configuration. (Window - save configuration) Note you can use the function keys to toggle between different window configurations. Homework:
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